EFTA01103597Set 9
2004-11-0813p6,247w
history, the UN inspired composers and music. In 1949
the eminent American composer Aaron Copland wrote his Preamble for a
Solemn Occasion for narrator and orchestra. It was performed here ... with
Laurence Olivier narrating and Leonard Bernstein conducting. Copland
used the words of the United Nations Charter—about half of its preamble—
55 to honor the first anniversary ... rhetorical, and imposing:
befitting, as some noted, the voice of an Old Testament prophet. Copland
sought to use music to preach an ideal that in 1949 had become clouded
https://www.justice.gov/epstein/files/DataSet%209/EFTA01103597.pdf
EFTA01088921Set 9
30p15,230w
America came about partly through the
proselytizing of Nadia Boulanger, with whom Aaron Copland, Virgil Thomson,
and many others had studied, and this identity he retained. Nevertheless Stravinsky,
like Nabokov
https://www.justice.gov/epstein/files/DataSet%209/EFTA01088921.pdf
EFTA00846354Set 9
2015-09-1337p13,930w
Zawinul, Chick Corea, Kenny Barron, Horace Silver, Herbie Hancock, David Hazeltine and Marc
Copland. Bob Belden produced the project.
EFTA00846388
Whether Moody is playing the soprano, alto, tenor, or flute
https://www.justice.gov/epstein/files/DataSet%209/EFTA00846354.pdf
EFTA01137077Set 9
29p14,307w
French musical life, in part through the proselytizing of Nadia Boulanger, with
whom Aaron Copland, Virgil Thomson, and many others had studied. These
identities he retained. Nevertheless, Stravinsky, like Nabokov
https://www.justice.gov/epstein/files/DataSet%209/EFTA01137077.pdf
EFTA01144807Set 9
25p12,338w
musical life, and in part through the proselytizing of Nadia
Boulanger, with whom Aaron Copland and Virgil Thomson (among others) had
studied. These identities he retained. Nevertheless, Stravinsky, like Nabokov
https://www.justice.gov/epstein/files/DataSet%209/EFTA01144807.pdf