EFTA00307619Set 9
2012-06-1512p2,603w
Three split-brain patients were tested in a Cognitive
Neuroscience Laboratory on two timbre perception tasks. The first task
employed a one-interval, two-alternative, forced-choice, match-to-sample ... paradigm that required each isolated hemisphere to match familiar, well-
known musical instrument timbres (e.g., trumpet, piano) to one of two pictures
of musical instruments. The second task employed ... alternative, forced-choice, go-go paradigm that required patients to determine
whether two unfamiliar timbres were the same or different. On the first task,
both the Left and Right Hemispheres
https://www.justice.gov/epstein/files/DataSet%209/EFTA00307619.pdf
EFTA01100074Set 9
15p7,229w
that elucidated (a) the functional role of auditory
cortex in complex-pitch, harmony, and timbre perception; (b) the neuroanatomical dissociability of cortical
mechanisms mediating the perception of harmony ... Activity dependent auditory acuity:
Harmony perception.
78. Tramo MI, Li L, Gazzaniga MS Timbre discrimination and recognition by the right and left
hemispheres of split-brain patients.
80. Tramo
https://www.justice.gov/epstein/files/DataSet%209/EFTA01100074.pdf
EFTA02682618Set 11
15p7,232w
that elucidated (a) the functional role of auditory
cortex in complex-pitch, harmony, and timbre perception: (b) the neuroanatomical dissociability of conical
mechanisms mediating the perception of harmony ... Activity dependent auditory acuity:
Harmony perception.
78. Tramo MJ, Li L, Gazzaniga MS Timbre discrimination and recognition by the right and left
hemispheres of split-brain patients.
80. Tramo
https://www.justice.gov/epstein/files/DataSet%2011/EFTA02682618.pdf
EFTA01113078Set 9
2010-10-111p592w
conceptually. with the
Wily
contemporary COMpOSerS
have treated notes, rhythms and 11"t1,to.,
timbres. That may explain why
works like 'Illysses,"Flimegaits
American *mpbony Orchestra
Christian Reinert. tenor, oolong ... liked it rhythmic intercomwordness, va-
so much that he sought out the riety of timbre and rairpoMng
composer. changes of texture, and the vital
There is much to admire
https://www.justice.gov/epstein/files/DataSet%209/EFTA01113078.pdf
EFTA00284089Set 9
17p10,493w
frame idea that is later used to represent threaten, calm and scare; use gesture, timbre,
the second subject.) It also illustrates compression quaver, and sometimes even silence. This is vital
https://www.justice.gov/epstein/files/DataSet%209/EFTA00284089.pdf
EFTA00308046Set 9
2008-01-239p3,034w
Demonstration CD. Trying to understand, no less talk about, auditory
experiments on pitch, harmony, timbre, etc. is as frustrating as trying to follow circuitous directions involving
twists and turns around
https://www.justice.gov/epstein/files/DataSet%209/EFTA00308046.pdf
Modal System (Future-Supramodal Subsystem)
Auditory Analysis & Representation (e.g., perception of melody, harmony,
rhythm, timbre, voice):
Corresponding Anatomical Structure: Letter = . (2 pts)
Corresponding Functional Cortical Subsystem: Roman Numeral
https://www.justice.gov/epstein/files/DataSet%209/EFTA00810767.pdf
EFTA01261592Set 9
2020-02-24398p64,867w
asftern
-1
/I •••••••=.•••••••Ci
1 1
i
opa.bmr., r
WaradmiliWin
..........,..rr
tImbr "—
.allierib.PC
••••••• •••taell•••••••
1•••••••.•••••
. ....M.P, ' • ' •
=
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J
I
1..4e
lionsia•slamplMC- 71 .
..wry •
eon Traramma
aro.. •- isiona
https://www.justice.gov/epstein/files/DataSet%209/EFTA01261592.pdf
EFTA00155078Set 9
2024-02-154p1,737w
claimant should submit at least two itemized signed statements or estimates
by reliable, timbre:mod concerns, or, if payment has been made, the Nomtred (pad
rerdllis eddendog payment.
The claim
https://www.justice.gov/epstein/files/DataSet%209/EFTA00155078.pdf
EFTA01030119Set 9
2018-06-131p334w
UCLA's quarter system (the topics I've had to delete include timbre, voice, speech, development, evolution,
genetics, one of the two pitch seminars (I used
https://www.justice.gov/epstein/files/DataSet%209/EFTA01030119.pdf