EFTA00727938Set 9
7p4,238w
SOFTWARE COULD LEAD TO DEATH,
PERSONAL INJURY, OR SEVERE PHYSICAL OR ENVIRONMENTAL DAMAGE.
B. VoiceOver Kit - Automatic Updates. When you are using VoiceOver Kit version 1.3, the Apple Software
will ... periodically check with Apple for updates to the pronunciation rules used by VoiceOver to generate
the spoken items that you hear when you have VoiceOver selected. If a pronunciation update ... available,
the update will automatically download onto your computer, and when you have VoiceOver selected, the
new version of the spoken items will be generated and synced to your iPod
https://www.justice.gov/epstein/files/DataSet%209/EFTA00727938.pdf
EFTA00591217Set 9
2012-01-303p997w
house
we - "all races and religions" - live in. As Mr. Jarecki explains in his voiceover, he
came to his latest subject through his relationship with Nannie Jeter, an African-
American ... drug
war. Mr. Jarecki could use some of that directness in his documentary's
voiceover. However well-intentioned and earnest an attempt at universality (he
registers as a nice white ... takes as its point of departure those cinephiles who,
as they explain in voiceover, have dedicated an extraordinary amount of time and
even more imagination to unlocking the secrets - some
https://www.justice.gov/epstein/files/DataSet%209/EFTA00591217.pdf
EFTA02477670Set 11
2016-01-044p881w
specific dialogue for your voice-overs in the
creative process? Do you =et the voiceovers in concrete during the screenwriting process or, at times, d= you decide to
insert ... voiceover during the editing process that you hadn=E2 t anticipated?
8. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow
of a Doubt
https://www.justice.gov/epstein/files/DataSet%2011/EFTA02477670.pdf
EFTA00837228Set 9
2016-01-043p890w
specific dialogue for your voice-overs in the creative process? Do you set the voiceovers
in concrete during the screenwriting process or, at times, do you decide to insert ... voiceover during the editing process that
you hadn't anticipated?
8. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow of a Doubt
https://www.justice.gov/epstein/files/DataSet%209/EFTA00837228.pdf
EFTA02476881Set 11
2016-01-043p769w
specific dialogue for your voice-overs in the creative process? Do you =et
the voiceovers in concrete during the screenwriting process or, at times, d= you decide to insert ... voiceover during the
editing process that you hadn=E2 t anticipated?
8. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow of a Doubt
https://www.justice.gov/epstein/files/DataSet%2011/EFTA02476881.pdf
specific dialogue for your voice-overs in the creative
process? Do you set the voiceovers in concrete during the screenwriting process or, at times, do you decide to insert ... voiceover during the editing process that you hadn't anticipated?
8. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow of a
Doubt
https://www.justice.gov/epstein/files/DataSet%2011/EFTA02348211.pdf
EFTA00703905Set 9
2016-01-043p961w
specific dialogue for your voice-oven in the creative process? Do you set the voiceovers in
concrete during the screenwriting process or, at times, do you decide to insert ... voiceover during the editing process that you
hadn't anticipated?
12. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow of a Doubt
https://www.justice.gov/epstein/files/DataSet%209/EFTA00703905.pdf
EFTA00837327Set 9
2016-01-044p1,476w
specific dialogue for your voice-overs in the creative process? Do you set the voiceovers
in concrete during the screenwriting process or, at times, do you decide to insert ... voiceover during the editing process that you
hadn't anticipated?
12. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow of a Doubt
https://www.justice.gov/epstein/files/DataSet%209/EFTA00837327.pdf
EFTA00637664Set 9
2016-01-043p782w
specific dialogue for your voice-overs in the creative process? Do you set the voiceovers in
concrete during the screenwriting process or, at times, do you decide to insert ... voiceover during the editing process that you
hadn't anticipated?
8. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow of a Doubt
https://www.justice.gov/epstein/files/DataSet%209/EFTA00637664.pdf
EFTA00837323Set 9
2016-01-044p1,061w
specific dialogue for your voice-overs in the creative process? Do you set the voiceovers
in concrete during the screenwriting process or, at times, do you decide to insert ... voiceover during the editing process that you
hadn't anticipated?
12. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow of a Doubt
https://www.justice.gov/epstein/files/DataSet%209/EFTA00837323.pdf
EFTA01745338Set 10
2016-01-042p620w
specific dialogue for your voice-oven in the creative process? Do
you set the voiceovers in concrete during the screenwriting process or, at times, do you decide to
insert ... voiceover during the editing process that you hadn't anticipated?
8. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow of a Doubt
https://www.justice.gov/epstein/files/DataSet%2010/EFTA01745338.pdf
EFTA02476480Set 11
2016-01-042p598w
specific dialogue for your voice-overs in the creative process? Do you =et the
voiceovers in concrete during the screenwriting process or, at times, d= you decide to insert ... voiceover during the
editing process that you hadn=E2 t anticipated?
EFTA_R1_01589979
EFTA02476480
8. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow
https://www.justice.gov/epstein/files/DataSet%2011/EFTA02476480.pdf
EFTA00637672Set 9
2016-01-042p620w
specific dialogue for your voice-oven in the creative process? Do you set the voiceovers in
concrete during the screenwriting process or, at times, do you decide to insert ... voiceover during the editing process that you hadn't
anticipated?
EFTA00637672
8. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow of a Doubt
https://www.justice.gov/epstein/files/DataSet%209/EFTA00637672.pdf
EFTA00637653Set 9
2016-01-043p788w
specific dialogue for your voice-overs in the creative process? Do you set the voiceovers in
concrete during the screenwriting process or, at times, do you decide to insert ... voiceover during the editing process that you
hadn't anticipated?
8. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow of a Doubt
https://www.justice.gov/epstein/files/DataSet%209/EFTA00637653.pdf
EFTA00837320Set 9
2016-01-033p924w
specific dialogue for your voice-overs in the creative process? Do you set the voiceovers in
concrete during the screenwriting process or, at times, do you decide to insert ... voiceover during the editing process that you hadn't
anticipated?
12. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow of a Doubt
https://www.justice.gov/epstein/files/DataSet%209/EFTA00837320.pdf